Tonight’s movie: Born Romantic, a fun, slightly confusing, romantic comedy. Sort of…
Yes, it’s a love story, centering on four men, though we don’t really don’t know it’s also telling the story of the fourth until the end of the story, all of whom have issues, baggage, or problems being in love, finding love, or showing love.
One guy is a former rocker who dumped his girlfriend at the time, and now, eight years later, has decided he made a mistake and wants to get back together with her. Another guy is a petty thief who is afraid of hurting his victims, so he and his partner use chloroform to knock out their victims after they take withdrawls from ATMs. And the last guy is living with his ex-wife in their house that they are unsuccessfully trying to sell because one side of it is slowly sinking.
A cab service and three cabbies act as the sages in the film, talking about romance and sex and women and men, both amongst themselves and to their fares who are both the men and the subjects of their advances.
The thief chooses a neurotic who lives in constant fear of life, really: she’s afraid of germs, car accidents, flying, and bacteria in and on food, among other things. Yet she owns and operates a business that tends to graves for those who can’t do it themselves because they’re too busy or out of town or out of the country.
The rocker’s girlfriend has discovered herself and isn’t sure a life with him is what she wants anymore, and isn’t sure he’s changed at all.
And the final guy has fallen for a bookish museum technician who restores the art.
And they all meet, fall in and out of love, and discover a lot about life and love at a club that hosts salsa dancing.
In the end, everyone gets what they want, and we find that love does indeed conquer all. It’s the path that the movie takes to get there that’s interesting.
At it’s base, it’s a simple story, about six people (well, seven, but I’m not giving that one away in case anyone reading this wants to see it) who are messed up, have difficult situations to work through in their lives, and are, as pop culture constantly reminds people who aren’t in a relationship, alone. And yes, the film is an allegory, meant to draw we the viewers in and recognize traits in each of the characters that we possess while it makes broad statements on life and love. But what it’s great at is doing all this and being obvious about it while still not pounding it over your head or doing it in a way that makes you want to stop watching. In that sense, it’s a very charming film.
The acting is understated, with Craig Ferguson in the lead as the divorced man, and he isn’t playing any of the over-the-top characters I’ve seen him play before. The filmmaking itself is also pretty basic and plain, letting the story do the talking and not making the visuals too disruptive.
But for some, the film will be too slow and too confusing at first…Or perhaps even too strange: the whole story revolves around two basic locations: the cabs and cab company/cafe (yeah, it’s operated out of a cafe), and the salsa club. And the characters are absurdly messed up enough to make you recognize what their problems are. So I could see how some viewers would probably go through the first half of the movie and wonder what the hell they’ve been watching. But if you like a well-made movie, or a good love story, or a good character study, it’s worth sticking through. Four out of five stars.
See you tomorrow.